Latest News

Here is the latest news from David Gans, producer and host of the Grateful Dead Hour.

Grateful Dead in The New Yorker

Great piece on the Dead and the Deadheads by Nick Paumgarten in the 11/26/12 issue of The New Yorker.

No two shows were the same, although many were similar. Even on good nights, they might stink it up for a stretch, and on bad ones they could suddenly catch fire—a trapdoor springs open. Then, there were the weird inimitable gigs, the yellow lobsters. Variation was built into the music. They played their parts as if they were inventing them on the spot, and sometimes they were. The music, even in the standard verse-chorus stretches, often had a limber, wobbly feel to it that struck many listeners as slovenly but others as sinuous and alive, open to possibility and surprise. It came across as music being made, rather than executed. “These guys have evolved a thing where each guy is playing a running line all the time,” David Crosby once said. “That’s electronic Dixieland.” The music critic Brent Wood has ascribed the sound of it to “the band’s emphasis on true polyphony, a texture heard only rarely in contemporary popular music. Seldom do rhythm guitar, keyboard or drum parts vary at the same time as the bass and lead guitar. . . . Still more infrequently are all six parts being improvised.” So you could attribute an aversion to the Dead to a failure of polyphonic appreciation. Or you could chalk it up to taste. “Our audience is like people who like licorice,” Jerry Garcia said. “Not everybody likes licorice, but the people who like licorice really like licorice.

ANd he enhances it with a list of 13 favorite unreleased performances.

Grateful Dead Hour no. 1261

Week of November 19, 2012

Part 1 21:58
Furthur 9/23/12 Red Rocks, Morrison CO
YOU WIN AGAIN
OPERATOR
UNCLE JOHN’S BAND

Part 2 34:02
Furthur 9/23/12 Red Rocks, Morrison CO
REUBEN AND CHERISE->
FEEL LIKE A STRANGER

Talk
Grateful Dead, American Beauty (audiophile download)
CANDYMAN
Grateful Dead, Dave’s Picks volume 4 (9/24/76)
AROUND AND AROUND

Thanks to gnomesandhobbits.com for the Furthur show. You can buy Furthur live shows online (on CD or download), and they sell ’em at the shows, too, of course.

Dave’s Picks is a quarterly subscription series of complete-show releases from the Grateful Dead vault. Here’s a link to the 2013 subscription offer.

Support for the Grateful Dead Hour comes this week from AEG Live, presenting Dark Star Orchestra November 23 and 24 at the Best Buy Theater in New York City. DSO recreates the Grateful Dead live concert experience by performing faithful interpretations of historic Dead setlists from the 60s, 70s, 80s and 90s. More information on the Thanksgiving weekend shows in New York City is available at www.bestbuytheater.com

Cats: Jon Carroll’s, and ours

Jon Carroll writes abut his two cats, Bucket and Pancho:

There are some parts of the cat deal they really don’t have down yet.

For instance, lap sitting. One likes to have a good lap sit with one’s cat. Although it’s impossible for me to sit in the cat’s lap, I do like it the other way around. Neither Bucket nor Pancho will sit in any lap. They will only rarely come close enough for a good rub.

They don’t purr very much, either. Sometime you can get the faintest hum from one of them, but it doesn’t last long. I’ll bet black cats know how to purr. Maybe I could just hire one for a week or so to give lessons.

Our late pal Hugo wasn’t entirely black – he had a white blaze on his chest, white hairs in his ears, and a few other pale ones here and there – but he would be easily mistaken for a black from above. Groucho is one of those white cats with black blotches. I used to say, “We have a black-and-white cat names Hugo and a white-and-black cat named Groucho.” And I would say, “Hugo is a black cat, but he’s not a black cat, y’know?” And people would know.

Hugo was the one who purred. Groucho didn’t make a sound for many years. Over time, she learned to purr. We believe she learned it from Hugo.

Hugo was, and Groucho still is, a cat who will sit in your lap. Groucho won’t stay for long, but she’s amenable to our form of affection, and/or willing to repay our providing of room and board by tolerating our (okay, my) insistence upon physical contact.

The youngsters are another story. Ringo and ‘Oli are littermates, nearly identical. They’re white with plaid blotches (if you look closely at the grey, you’ll see that there is a faint texture to the coloring). They are, for the most part, uninterested in our touch. At times they are quite resistant to it. When I pick Ringo up, he behaves like an autistic child, tensing up and refusing to make eye contact. ‘Oli a little less so, but it’s the same general mode. Both of them do appear to take the opportunity to look around and behold the world as it appears from their temporary perch six feet up, but they make it clear they aren’t enjoying it much, and they eagerly spring from my clutches as soon as they can manage it. And they do it without clawing, for which I am deeply thankful.

I think it’s because they’re rescue cats, and they were older when we got ’em. We got Hugo and Groucho on the same day; they are not related, but they were both very young when we got ’em. So they were accustomed from a very early age to being picked up, turned upside down, smooched on the belly, and smothered with human attention. Ringo and ‘Oli, I think, came into the world in unfortunate circumstances and didn’t feel as safe, so consequently they’re a little less trusting of the larger creatures who attempt to rule their world.

We are hoping Groucho will teach the boys how to purr. Well, we can hope.

BTW, we also think two cats is optimal, but when we went in search of a new cat to keep Groucho company in her dotage, we came upon an inseparable pair that we couldn’t resist. We’ll be back to two cats again all too soon, but we’re in no hurry. Groucho abides, and Groucho purrs.

Rita says: “I think they are entirely happy gazing at the world from their perches, many perches, and cushions, throughout the house. And they DO come and snuggle, sitting next to us, if not in our laps or with that single paw placed so sweetly on a leg or thigh as Hugo did. But yes, no to little purring.”

And I should also note that there are two black cats on our street who are quite friendly, rubbing up against the legs of neighbors and even total strangers, and even allowing themselves to be picked up.

Grateful Dead Hour no. 1260

Week of November 12, 2012

Part 1 38:06
Furthur 9/23/12 Red Rocks, Morrison CO
SAMSON AND DELILAH
TENNESSEE JED
EASY WIND
ALABAMA GETAWAY
LOOSE LUCY

Part 2 17:12
Grateful Dead, Dave’s Picks vol 4 (9/24/76)
NEW MINGLEWOOD BLUES
SUGAREE

Thanks to gnomesandhobbits.com for the Furthur show. You can buy Furthur live shows online (on CD or download), and they sell ’em at the shows, too, of course.

Dave’s Picks is a quarterly subscription series of complete-show releases from the Grateful Dead vault. Here’s a link to the 2013 subscription offer.

Support for the Grateful Dead Hour comes this week from AEG Live, presenting Dark Star Orchestra November 23 and 24 at the Best Buy Theater in New York City. DSO recreates the Grateful Dead live concert experience by performing faithful interpretations of historic Dead setlists from the 60s, 70s, 80s and 90s. More information on the Thanksgiving weekend shows in New York City is available at www.bestbuytheater.com