Here is the latest news from David Gans, producer and host of the Grateful Dead Hour.
Rubber Souldiers in Marin County tonight!
A wonderful Wavy Gravy story
From Jack Radey, who heard my interview with Wavy Gravy on the radio last night (posted here with his permission):
David,
I heard the name Denise Kaufman mentioned tonight, and just wanted you to know that Denise was one of those arrested at Sproul Hall in December, 1964, as part of the Free Speech Movement, was a member of the WEB DuBois Club in Berkeley, and was about the cutest person in the Free Speech Movement. When the cops arrested her, she went limp, like a lot of us, but the cops for some reason thought it would be fun to dislocate both of her elbows.
I have got to see this movie [Saint Misbehavin’: The Wavy Gravy Movie] (hasn’t come to Eugene yet I think).
I only had one encounter with Wavy, though no doubt we were in some of the same places at the same time. Mine was during the spring of 1985. I had been one of the three FSM veterans who had been central to putting on the 20th Anniversary gathering of the Free Speech Movement, a week long series of events. Mike Rossman and I had been thinking along the lines of stirring up the campus, in order to have troops to throw out into the streets when Reagan invaded Nicaragua, which looked likely in the near future. Well, dig up the ground, spread some bullshit around, sow some seeds, and… what sprang up in the spring but the Anti-Apartheid movement! We giggled a little, but were quite tickled at this development. It’s not like we were taking credit for it, but felt like proud grandparents.
Any rate, at some point, I forget the details, the cops decided to move in on the encampment on the steps of Sproul [Plaza] to haul the people away. I believe they hauled them first into Sproul, then out the back and put them in a bus. A bunch of us were standing in front of the bus, witnessing the treatment of the arrestees, and I noticed an older guy (I wasn’t the only greybeard present) with a clown nose and green coveralls on. Great, I thought, just what we need in a tense situation, a clown. The cops were freaked out. They were campus police, mostly pretty young, and they had learned their jobs during what must have seemed like The Big Sleep. Like in 1964, they were bumped-up traffic attendants, sheep dogs who were used to herding docile sheep, who one day woke up and discovered the sheep had turned into wolves. They were shitting their britches collectively, and a very nervous woman lieutenant was trying to figure out how to get the bus out from behind Sproul and away, and there were about 50 of us in the way showing some sign of not being willing to move.
Then the clown nose walked over to the bus, folded his arms and sat down in front of its right front tire. The lieutenant knew who he was, “Oh no, Wavy, don’t do this, please don’t do this, come on!” The students, whose education had not included watching non-violence in action in the Civil Rights Movement all during their formative years (these poor deprived kids missed ALL the good stuff), didn’t know what to do. The cops dragged Wavy out of the way, and then tried to drive us away. I had a ball, being an old hand at street dancing with the repressive arm of the bourgeois state, standing in front of the advancing police clubs saying loudly and calmly, “Officer, are you trying to tell us to disperse? Why don’t you talk to us instead of swinging that club, come on, didn’t your mother ever teach you it’s not nice to hit people? Why don’t you take a couple of deep breaths, no one here is threatening you, you can’t make good decisions while you are all panicky and excited like that…” All the while backing as slowly as I possibly could. The poor cops were getting more and more flustered. If I’d had 20-30 old timers we could have stopped the damn thing, but the kids were mostly screaming and getting out of the way, no one wanted to sit down.
Wavy was lovely, though. Reminded me of a few older Quaker ladies I know, who get all excited and happy at the possibility of getting arrested…
Jack
Blown away by Dark Star Orchestra
I spent the last two evenings with Dark Star Orchestra at the Regency Ballroom in San Francisco. Friday night they played 6/7/77, very much in the band’s wheelhouse for all incarnations. But last night they covered some new ground: an April 1969 show that had originally happened in the ballroom right next door to where we were!
This new edition of the Dark Star Orchestra is a bit less reverent and a good deal more aggressive than the last, while clearly remaining respectful of the tradition they are inhabiting. Jeff Mattson is a more muscular guitarist than his predecessor, John Kadlecik. John is now doing great work with Furthur, and Jeff is driving DSO to new places. Everybody wins! Bassist Kevin Rosen has stepped up, too, playing with the same fierceness that Jeff brings. The whole band is delivering: Rob Barraco is covering the Pigpen vocals, and he is also covering Phil’s vocals in this configuration (good for the music, however offensive to the few who get all dogmatic about this stuff). Drummers Rob Koritz and Dino English dug into their dual trap-kit excursions with the same sense of entrainment that you hear crackling off the tapes we’ve been hooked on for all these years. Rhythm guitarist Rob Eaton, who has done a magnificent job of tracking the changes in Bob Weir’s playing style and hardware through the ears, is right on top of his mission here as well.
Most of the people who call themselves Deadheads came on board during the era of the avuncular, laid-back, gray-haired and overweight Jerry Garcia. The Grateful Dead of 1969 and 1970, led by a thin and black-haired Garcia, delivered a much more in-your-face musical attack. DSO portrayed that astonishingly well last night. I want to hear more Pigpen-era stuff from these guys.
Amazing that this music is powerful enough to incarnate itself in multiple places, and in multiple phases, today. Bob Weir and Phil Lesh are indeed taking it “furthur” with a new band, continuing their mutual evolution in a most satisfying way. And Dark Star Orchestra is continuing an earlier conversation that has come nowhere close to exhausting its possibilities. And of course there are tons of musicians out there playing Grateful Dead music, and Grateful Dead-inspired music. The David Nelson Band works a similar conversational style with a sightly different vocabulary.
This is music that gets people high. It gets you high to play it, and it gets you high to dance to it, and it gets you high to close your eyes and listen to it with all your might. It got me high to watch my friends engaging in this inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.
Grateful Dead Hour no. 1158
Week of November 29, 2010
Part 1 24:18
Jerry Garcia Acoustic Band, Ragged But Right
ROSA LEE McFALL
Furthur 11/9/10 Stephens Auditorium, Ames IA
BIG BAD BLUES
FEELIN’ ALL RIGHT
Part 2 32:37
David Nelson Band 11/5/10 Palm Ballroom, San Rafael CA
DIFFERENT WORLD
ANY NAKED EYE
The Grateful Dead Hour is made possible in part this week by Grateful Dead Productions, announcing Road Trips volume 4 number 1, two complete shows recorded in May of 1969 at the Big Rock Pow Wow in Florida, beautifully recorded by the legendary Owsley Stanley. Rare recordings from a peak year in the band’s history! Information, listening party, message board and more at dead.net
Grateful Dead Hour no 1157
Week of November 22, 2010
Part 1 32:51
Grateful Dead, Road Trips vol 4 no 1
MORNING DEW
Old and In the Way, That High Lonesome Sound
HARD HEARTED
Interview: Eric Thompson talks about Jesse McReynolds
Interview: Jesse and Joy McReynolds
Jesse McReynolds and Friends, Songs of the Grateful Dead
THE WHEEL
Part 2 23:34
Interview: Jesse and Joy McReynolds
Jesse McReynolds and Friends, Songs of the Grateful Dead
DEAL
Interview: Jesse and Joy McReynolds
Jesse McReynolds and Friends, Songs of the Grateful Dead
BLACK MUDDY RIVER
Interview: Jesse and Joy McReynolds
Jim and Jesse, Berry Pickin’ in the Country
JOHNNY B GOODE
Jim and Jesse were one of the bluegrass bands Jerry Garcia and Sandy Rothman were going to hear when they drove across the country in Jerry’s Corvair in 1964. They had a Wollensak tape recorder in the car along with their instruments – that’s right, Jerry was a taper back in the day! The story is told in Sandy’s liner notes for Jesse’s new CD, Songs of the Grateful Dead, sampled in this week’s GD Hour. You’ll also hear from another of Jerry’s folk and bluegrass buddies, Eric Thompson, who explains what was special about Jesse’s mandolin playing.
And you have got to hear this performance of “Johnny B. Goode,” from a full album of Chuck Berry covers that Jim and Jesse released in the mid-’60s! The rest of the album (now available on CD form the Jim and Jesse web site) is also wonderful.
Jesse will be the guest of honor at a Rex Foundation benefit show called The Wheel: A Musical Celebration of Jerry Garcia at the Fillmore in San Francisco Saturday, December 4. Also appearing will be David Nelson and Friends and the Peter Rowan Bluegrass Band.
The Grateful Dead Hour is made possible in part this week by Grateful Dead Productions, announcing Road Trips volume 4 number 1, two complete shows recorded in May of 1969 at the Big Rock Pow Wow in Florida, Beautifully recorded by the legendary Owsley Stanley. Rare recordings from a peak year in the band’s history. Information, listening party, message board and more at dead.net – where you’ll also find “30 days of Dead,” a new music download every day throughout the month of November.