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Here is the latest news from David Gans, producer and host of the Grateful Dead Hour.

The weird road home

I’m logging in from the Courtyard Marriott at Cleveland Hopkins Int’l Airport, but that’s not so strange. The strange part is that I ran into some fellow Bay Area musicians in the waiting area: Big Lou’s Polka Casserole – four of ’em, anyway (although none of ’em was the one I know best, pedal steel player David Phillips) – Big Lou and David Golia and two of their horn players. We were all on the same fight out from San Francisco last Thursday, but it took Golia and me both til after the plane landed to realize who that familiar face was and where we knew each other from. So when we wound up on the same flight back, we got to talking, about music and business and mutual friends. We were comparing notes on the festival gigs we’d just done , and shooting the shit about the many challenges of traveling with musical instruments, when a call came for volunteers to stay off the oversold plane so another party could get on board. Golia and I decided to volunteer. We’re musicians with flexible schedules. We have tons of experience killing time and sleeping in strange beds. $300 travel voucher, a hotel room, dinner and breakfast, and for me, a first class seat on the 9:10 to SFO tomorrow morning. For David, all the same amenities; but if no first class seat is available for him, he rides in back on our flight and gets a certificate good for a first-class upgrade on his next flight with Continental. We were advised to wait until the last minute to board; we were nervous about being able to stash our instruments in the rapidly-filling overhead bins. The earlier you board, the better your chance of not having to gate-check your axe, and/or get into an argument with awesomely powerful airline personnel. We did board late, but we were able to get our guitars into the overhead bins. And then they came onto the place to get us! So Dave with his bass and a tote bag full of sheet music, and I with my backpack and guitar, waved goodbye to our departing luggage and partners and returned to the counter, where many cards were being printed and written on. We each received our $300 travel voucher; a $12 dinner voucher and a $6 breakfast voucher; a hotel voucher; and instructions to make arrangements for the morning shuttle back to the airport. We were also given “overnight kits,” with a razor and a toothbrush and a comb and associated viscous substances. Emptied of its personal-size hygeine items, the pouch will be of some use in carrying small bits of hardware when it catches up with the wheelie suitcase, already en route to SFO I used one of my meal vouchers to buy some trail mix etc for the flight, but I am told there will also be a real breakfast in my first-class seat! I’ll be wearing the same clothes tomorrow that I wore onto the plane today. I was clean underneath ’em today, and I’ll be clean underneath ’em tomorrow. Maybe even more so, because I plan to have used the QUINOA SHAMPOO that the hotel provided. Golia went to his room and I to mine. Skyped my missus, who shoved our cat Hugo’s face into the screen while I sang his many names through the speaker. I doubt he recognized me. Smooched both beloveds through the screen, said good night. 7.25 hours til that wakeup call. The Ambien is already affecting my typing. Good night!

Grateful Dead Hour no. 1085

Week of July 6, 2009

Part 1 29:52
Introduction
Grateful Dead 7/19/74 Selland Arena, Fresno CA
WEATHER REPORT PRELUDE->
WEATHER REPORT PART->
LET IT GROW->
]AM->
SPANISH JAM->

Part 2 26:03
Grateful Dead 7/19/74 Selland Arena, Fresno CA
EYES OF THE WORLD->
CHINA DOLL

This is one of my favorite hours of 1974, which is in turn one of the Grateful Dead’s greatest years. I scheduled this program just before I learned that the next Road Trips release is from two Summer ’74 shows. Stay tuned for some of that material in next week’s show.

Here’s what I say about it in the program: I’m old enough to have been among the thousands of lucky Deadheads who got to see the Grateful Dead’s amazing Wall of Sound PA system in action in 1974. And I was there for this one, at the Selland Arena in Fresno, California July 19, 1974. One of my traveling companions knew a guy who knew a guy, so we got into the building early and watched Phil Lesh play with his new bass and quadraphonic speaker system. Great fun. Then we went backstage while the band and crew were having dinner, and that same friend had a brief exchange of wisecracks with Phil Lesh, who was attacking a pile of steaks with a Swiss Army knife. Good times. The show wasn’t terribly well-attended, so we had the run of the place – we sat in the back most of the time, enjoying the great clear sound, and walked down near the stage a few times to get a close look at the musicians at work. It was a fine show; the Weather Report Suite and the jam that followed have long been favorites of mine.

Support for the Grateful Dead Hour comes this week from Warner Home Video, presenting the 40th anniversary release of Woodstock: 3 Days of Peace and Music – the director’s cut, on Special Edition DVD and Ultimate Collector’s Edition DVD and Blu-Ray. The Ultimate Collector’s Edition contains more than two extra hours of rare performance footage as never before seen. This footage features five artists who were at Woodstock but did not appear in any previous film version, including The Grateful Dead, Paul Butterfield, Creedence Clearwater Revival, Johnny Winter, and Mountain. Video clips and complete information at WoodstockOnDVD.com.

Feldstein on Hornsby

I’m going through Al‘s WELL posts as time permits, in between my real work ‘n’ stuff.

He was a big Bruce Hornsby fan. Here are some of his remarks on the subject:

gd.old.148.39: Alan Feldstein (fiddle) Wed 26 Aug 92 09:07

The Bruce/No Bruce question has, unfortunately, been answered by Bruce’s absence. For my ears, there is no comparison between the shows he was there and those he was not. Yes, Vince feels his oats and plays better when Bruce is not there. But, the shows with Bruce are infinitely more exciting and musically interesting. Of all the shows he played, I have still yet to hear a “turkey”. Compare that to the band’s batting average without him! Maybe his best contribution to the band was keeping Jerry awake………..

gd.old.148.127: Alan Feldstein (fiddle) Wed 16 Sep 92 13:43

Hey, I never said Vince wasn’t good. In fact, he’s probably integrated himself into the music faster than any of his predecessors. But I STILL WANT BRUCE BACK! And, if it ever happens, would it KILL the group to let him sing one of his excellent original tunes in place of the 2,444,763,696,8932th version of Me & My Uncle?

gd.old.148.144: Alan Feldstein (fiddle) Fri 7 May 93 14:53

Hey, why should Bruce be so consumed with gratitude. It seems to me that he helped out the GD more than they helped him…

gd.old.193.174: Alan Feldstein (fiddle) Wed 11 Aug 93 07:13

Another great Bruce moment (sorry, I don’t have atape to document it) was at the 5/91 Shoreline show, I believe Saturday, where they were doing a transition from something-> Uncle Johns… Jerry’s rack crapped out and Bruce did a 4 or 5 minute intro into UJB that was just breathtaking…

gd.old.617.24: Alan Feldstein (fiddle) Thu 12 Aug 93 17:53

I’ve said it before in other topics, but, for me, 1991 was one of the all-time Dead years and I attribute it to Bruce’s energy contribution and excellent playing…if anyone has a tape of a BAD show from 91 please let me know, cuz I haven’t heard one yet….I DO like Vince’s playing a lot, and I think the band has generally played better in 93 than in 92 (okay, a lot better!) but, IMHO, it hasn’t been the same since Bruce left the band… end of soapbox rental…

Grateful Dead Hour no. 1084

Week of June 29, 2009

Part 1 24:49
Introduction
Interview: David Nelson
New Riders of the Purple Sage, Where I Come From
WHERE I COME FROM (Radio edit)
Interview: David Nelson
New Riders of the Purple Sage, Where I Come From
BARRACUDA MOON (Radio edit)
Interview: David Nelson
Bob Dylan, Together Through Life
IT’S ALL GOOD

Part 2 32:06
Interview: David Nelson
Interview: Del McCoury
Celebrating 50 Years of Del McCoury
RAIN AND SNOW
Interview: David Nelson
David Nelson 5/6/09 KPFA studio
FENNARIO
Interview: David Nelson
David Nelson 5/6/09 KPFA studio
FIVIO
Interview: David Nelson
New Riders of the Purple Sage, Where I Come From
THEM OLD MINGLEWOOD BLUES

David Nelson is one of Jerry Garcia and Robert Hunter’s oldest musical pals. He co-founded the New Riders of the Purple Sage in 1969 with John “Marmaduke” Dawson, with Jerry Garcia as their pedal steel player until Buddy Cage took over in 1972. The New Riders re-formed a few years ago, with Nelson and Cage joined by guitarist Michael Falzarano, bassist Ronnie Penque and drummer Johnny Markowski.

For a decade or so before the return of NRPS, Nelson toiled in grossly undeserved obscurity with the David Nelson Band, which for my money was the best “jam band” on the planet at the time, if your criteria included real group improvisation in the manner established by the Dead. There was no other band out there that could hit that spot, period.

The David Nelson Band still plays from time to time. Just last week my band Rubber Souldiers opened for the DNB at a lovely outdoor gig in Ukiah, California. With Nelson on Fender Telecaster, Barry Sless on pedal steel and guitar, Mookie Siegel on keyboards, John Molo on drums, and the amazing Pete Sears on bass, this band still defines the peak of the genre as far as I’m concerned. (Here’s a funny photo of Nelson and Mookie before the show, and here’s a shot of the sweet setting of the winery gig.)

This interview took place live on KPFA May 6. The New Riders have a new CD, Where I Come From, featuring seven new songs written by Nelson and Grateful Dead lyricist Robert Hunter. Hunter also co-write all but one of the songs on Bob Dylan‘s new album, Together Through Life – the man is on a roll! David brought his acoustic guitar along, and sang the old favorite “Fennario” plus another new Hunter-Nelson song, “Fivio.”

The Grateful Dead Hour is made possible in part this week by:

Nelson Ledges Quarry Park in northeastern Ohio, presenting GratefulFest 10 July 3-6 – three nights of the Dark Star Orchestra, plus Keller Williams, Steve Kimock Crazy Engine, Jememiah Puddleduck with John Molo and Mark Karan, Donna Jean Band, New Riders of the Purple Sage, BoomBox, David Gans, and dozens more. Camping, swimming, fireworks and more are included, complete festival information is available at https://NLQP.com

The Church of Universal Love and Music, presenting Freedom Fest July 4 weekend in southwest Pennsylvania featuring Project/Object performing the Music of Frank Zappa with a synchronized fireworks display, as well as the Willie Waldman Project with special guest Ray White who was Frank Zappa’s guitarist. Complete festival details are available at iLoveChurchMusic.com.

Reptiles 10/4/96 UPDATED

We went to Colorado in October 1996 to play Steve Gayle & Mary Carol Cabibi’s wedding. Steve lined up a gig for us at the Boulder Theater on October 4 to help pay our travel expenses. Great wedding, great gig. Here are some highlights:

Scene of the Crime 3:34

Cassidy->
Black-Throated Wind
12:37

An American Family->
Dust Bowl
14:39

Playing in the Band->
Watchin’ for the Bear
14:34

Night Crawl->
China Cat Sunflower->
Ramble on Rose
19:38

Sittin’ and Thinkin’->
Franklin’s Tower->
Midnight Moonlight->
Big River
24:37

Al wrote and sang “Scene of the Crime,” “Dust Bowl,” “Watchin’ for the Bear” (with Dan Hull), and “Night Crawl,” and he sang lead on “Black-Throated Wind,” “Playing in the Band,” “Ramble on Rose,” “Franklin’s Tower,” and “Big River.”

The Reptiles:
Al Feldstein, David Gans – guitar & vocals
Bob Nakamine – guitar
Tammie Horowitz – vocals
Steve Ramirez – bass & vocals
Steve Horowitz – drums