Here is the latest news from David Gans, producer and host of the Grateful Dead Hour.
Signed copy of TIAADWD
Grateful Dead Hour no. 1416
Week of November 9, 2015
Part 1 35:50
Grateful Dead 3/14/82 Recreation Hall, UC Davis CA
RAMBLE ON ROSE->
LOOKS LIKE RAIN
ALTHEA
LET IT GROW
Part 2 19:14
Fare Thee Well: Celebrating 50 Years Of Grateful Dead
WEST LA FADEAWAY
Bob Dylan, The Cutting Edge 1965-1966: The Bootleg Series Volume 12
QUEEN JANE, APPROXIMATELY
Support for the Grateful Dead Hour comes this week from:
Flatiron Books, announcing This Is All a Dream We Dreamed: An Oral History of the Grateful Dead, by Blair Jackson and David Gans. Hardcover, ebook and audio editions are available wherever books are sold.
Dead and Company – Bob Weir, Bill Kreutzmann, Mickey Hart, John Mayer, Jeff Chimenti and Oteil Burbridge – on tour from coast to coast November 11 through December 31. Complete details and ticketing at www.deadandcompany.com.
The Capitol Theatre in Port Chester, New York. The Cap will salute jamband heroes moe. with two improvisational nights of music on Friday, November 13 and Saturday, November 14. Events, information, and ticketing at thecapitoltheatre.com.
Library Journal review of TIAAD
“There may currently be no better introduction to the Grateful Dead than this superior tome.”
Library Journal‘s starred review of This Is All a Dream We Dreamed: An Oral History of the Grateful Dead:
This fine oral history joins the list of essential Dead books that includes such titles as Dennis McNally’s A Long Strange Trip and Jackson’s own Garcia: An American Life. It’s not so much a matter of the revelations contained herein, although there are plenty, as what the different voices, working in concert, add to the band’s story. Readers will quickly become absorbed into the Dead’s world and will feel that everyone is speaking directly to them. Considering the disparate sources (every single one documented) Jackson and Gans have drawn from, the narrative’s natural flow is incredible. Helpful to telling the story are small narrative and scene-setting interjections provided throughout each chapter, giving just enough information to allow the reader to understand the particular context in which the material is being presented. Some interviews were conducted expressly for the book, but much is published here for the first time. VERDICT: There may currently be no better introduction to the Grateful Dead than this superior tome. — Derek Sanderson, Mount Saint Mary Coll. Lib., Newburgh, NY
Grateful Dean on TIAADWD
From the Grateful Dean blog:
I was fortunate enough to get an advance copy of the latest Grateful Dead book that will be hitting the market next Tuesday.
This Is All A Dream We Dreamed, An Oral History of the Grateful Dead by Blair Jackson and David Gans is The Grateful Dead Story as told by those that were actually part of it. For many of us, Blair Jackson and David Gans have been the link between the inner circle and the outer circle of our community for several decades. They’ve combed through thousands of hours of interviews and conversations they have participated in, with those closest as well as those in the band, to convey a first hand look at the history of our favorite topic. Instead of guessing what Garcia might say in regards to any given topic, this book gives you plenty of things he really did say instead of assuming. While many bits and pieces that make up the book have appeared elsewhere before, it’s packed with new stories and conversations that have yet to be seen. The book takes pieces from the stories told by the characters that make up Our Community and places them within the proper context and time period from which they came. Since the book is largely comprised of short pieces by different individuals, even the most burned out meatheads can navigate their way through the adventure without losing steam. This approach seems to make reading large chunks of it just as easy as picking it up for a minute or two. That is a tremendous accomplishment when your book is aimed at a community with a good deal of members that have absolutely no clue how to pay attention. I think the ladies will be happy that there is a lot more input from the significant women in and around the scene. Blair and David obviously felt like this was an important piece of the picture that has been limited in other historical perspectives. You’ll definitely hear more from the women at the center of it all than you have before.
Many of us are currently spending a little more time than we have in a while on planes, trains and automobiles. A little more time than usual in hotels, motels and parking lots, if ya know what I mean. It’s great to have something new to read while flying, travelling or waiting for show time. This book will keep you engaged from the minute you pick it up. As a collection of stories told by others, there are really no parts that are difficult to get through. It’s a story we all know, full of characters we all love. What could be better than having all of those characters tell it to US, all in one place? That’s exactly what happens in this new addition to any Deadhead’s required reading list for winter. Whether you grab it on Tuesday or put it on your Christmas, Hanukkah or Kwanzaa list, I guarantee you’ll have a blast as you learn and relive the days that make up the history of The Greatest Live Band the earth will ever know. Nothing is better than a history book that’s told by the people that were actually creating it! David Gans, in his humility, downplays the role he’s played for many of us throughout the years but for me, he has been a bridge between the Center of Grateful Dead Land and its inhabitants. I appreciate how Blair and David have taken the pieces of our past and arranged them for us in a way that is both extremely enjoyable and easy to read. It’s a scrapbook you can read and a highlight reel from decades of interviews and conversations. My attention span is shorter than the line for the women’s bathroom at Phish Shows and I am completely sucked into this book. Pick it up on Tuesday or put it on your holiday gift list! You’ll be glad you did.

(Ordering info and all can be found here)
Changes at Dead to the World
I have retired from regular hosting of of Dead to the World (Wednesdays 8-10pm on KPFA 94.1 fm Berkeley).
I sent this letter to the management on October 28:
Dear colleagues –
I need to step down as the primary host of Dead to the World. I have a book and a CD coming out in November, and I need to focus my attention on those two projects.
As I have been working on the record and book all year, I have been less and less engaged with my KPFA program. I don’t feel I am able to do justice to the gig, as I have less and less time to prepare for it. My musical career is on the rise everywhere but in the Bay Area, so I am on the road more than half the time these days. My travel is only going to increase in the near future.
Tim Lynch, my cohost, is fully engaged and delivering a first-rate show every time he takes the reins. I have discussed this with him and he seems willing to take on more of the work. I hope you will allow him to continue as the lead host. I will host DTTW occasionally – maybe once a month, more or less.
I will, of course, do the marathon (with Tim’s help) next February and every winter for the foreseeable future.
I will continue to serve on the LSB until my term ends, and I will continue to support professionalism among the staff and community.
This is an entirely positive development. I’m on the road a lot these days, pursuing my own musical adventures. Because of the increasing demands on my time and attention, I don’t think I’ve been doing a very good job on DTTW. Tim has been covering for my absences for several years, and I made him the official cohost a while back because he was doing it more than half the time anyway. I wouldn’t hand the show over to just anybody! He’s great on the air, and deeply committed to music and to KPFA.
I needed to do this for a number of reasons. I feel my identity has been confused here in northern California: I have always seen myself as a musician with a radio show, as opposed to a DJ with a guitar, and this move allows me to be clearer about who I am.
So from here on out, if you have an event or a record you want to get on the air, please contact Tim. I’m out of that business.