Latest News

Here is the latest news from David Gans, producer and host of the Grateful Dead Hour.

Quote of the day

Gene Shalit: How do you play at that frantic volume and sustain any kind of rational mind? Jerry Garcia: It’s like a dog hanging its head out a car window. Shalit: You love it. Garcia: Yeah. – The Today Show (NBC-TV) 3/21/1981

Bill Kirchen sits in with Ratdog

I just got a message from Gary Lambert:

Just had to file this li’l halftime report…

Joining RatDog on “Catfish John” and “West L.A. Fadeaway:”

BILL KIRCHEN!!

If you don’t know who Bill Kirchen is, familiarize yourself! He is a master of “dieselbilly” guitar.

Here’s a photo of Bill playing in the KPFA performance studio on 10/30/02, and here he is with Commander Cody and His Lost Planet Airmen at the Hollywood Bowl on 7/21/74.

The cost of the Winterland Box

From the Grateful Dead Hour mailing list, posted here with the permission of the poster, Darren Mason:

Why do I think $10/CD is a good price? I have a number of reasons, in no particular order:

1. For almost all of the 30 years while the band was touring, they were the poster-child of generosity when it came to serving their fans, both in the sense of recording, trading, AUD taping, ticket sales, vending in lots, etc. Personally, I think that I shouldn’t begrudge them now for *starting* to act like “normal bands” in these respects.

2. While the Dead were touring, their main source of income was concert revenue. And that was their choice. And I think we are all grateful for that choice as it was their magic on stage that we wanted to share. That said, they are now much older and I think it is perfectly reasonable for them to reap the rewards of their decades of work and creativity. I have seen box sets from much less talented bands go for much more.

3. As was noted earlier, the amount of work involved in putting the box set together is most likely more for this set then a typical DP release. I cannot be sure of this – just a feeling I have. No matter, whether it is $8, $9, $10, $11, or $12 a CD, I am willing to pay for a quality product.

4. My understanding is that not too many years ago, continued release of music from “the vaults” was in jeopardy. If additional “corporate layers” results in this problem being solved so that the music continues to be released, then I say let those corporate layers not only exist, but be financially rewarded for their efforts. They too deserve to make a living imho.
5. $7-$8 vs. $10? Hell, I can’t even buy a decent beer at a bar for $2-$3. I would rather spend my extra $2 or $3 on music that I love.

Respectfully,

DM

Music Box interview with Mark Karan

From John Metzger’s online magazine The Music Box:

Last year, Music Box correspondent Douglas Heselgrave sat down with Ratdog‘s Mark Karan to talk about the guitarist’s unique role within the band. A few months later, Karan was forced to withdraw from the road in order to seek treatment for throat cancer. Following up on their prior conversation, Heselgrave and Karan chatted about recent events, including Karan’s health, his forthcoming outing with Jemimah Puddleduck, and his return to Ratdog for the outfit’s spring tour. Read the article here.

And take a look at last year’s Music Box article on Mark.

Jewels and Binoculars on tour

Last summer I had the privilege of recording with a phenomenal bassist, Lindsey Horner. (The tracks will appear on my CD tentatively titled The Ones that Look the Weirdest Taste the Best, produced by Tim Carbone; I hope to get it out in time for the summer festivals).

Lindsey gave me a copy of a CD, Ships With Tattooed Sails, by his trio Jewels and Binoculars. It’s a collection of jazz interpretations of Bob Dylan songs. The band is joined on some tracks (including a fantastic “Blind Willie McTell) by guitarist Bill Frisell.

I just got word that Jewels and Binoculars will be touring this spring:

Jewels and Binoculars/ Lindsey Horner, Michael Vatcher, Michael Moore play music of Bob Dylan.

Ships With Tattooed Sails with special guest Bill Frisell. (On Village Voice “best of 2007” list)

“Jewels and Binoculars stands as a testimonial to the timelessness of Dylan’s music, to the versatility of jazz, and to the foresight and the talent of these three musicians who brought them together.” — Brendan Garland, Metro Santa Cruz (California)

Monday, April 21, 8:30 pm – Roulette, 20 Greene St., New York City. 212-219-8242

Thursday, April 24, 8pm – Tangential Folk Festival, Bohemian National Home, 3009 Tillman St., Detroit. 313-737-6606

Friday, April 25, 9pm – Immediate Sound Series, International House, 3701 Chestnut St., Philadelphia, PA

Tuesday, April 29, 7:30 pm – Flynn Theatre, 153 Main St., Burlington VT

Thursday, May 1, 8pm – The Evening Muse, 3227 N. Davidson St., Charlotte, NC. 704-376-3737 (With GREENLIGHT – Kevin Gill, Dustin Hofsess, Adam Snow)

Friday, May 2, 7:30pm – The Gravity Lounge, 103 South 1st St., Charlottesvile, VA. 434-977-5590

Saturday, May 3rd, 8pm – An Die Musik Live, 409 Charles St., Baltimore, MD. 410-385-2638

More info at lindseyhorner.com